This question is based on General Literature Principles and Literary Appreciation.
'Beautiful Kareendi, flower of my heart. No one but you can type them. For I want to send them care of the address of your heart, by the post of your heart, to be read by the eye of your heart, thereafter to be kept within your heart, sealed there forever and ever'.
Devil on the Cross by Ngugi wa Thiong'o.
The aesthetic appeal of this seduction emanates from the predominant use of

This question is based on General Literature Principles and Literary Appreciation.
'His mind was crowded with memories; memories of the knowledge that had come to them when they closed in on the struggling pig, knowledge that they had outwitted a living thing, imposed their will upon it, taken away its life like a long satisfying drink,'
Lord of the Flies by William Golding.
The dominant device in this extract is

This question is based on General Literature Principles and Literary Appreciation
'She certainly doesn't want to play
Other Woman in some conventional, boring triangle. She doesn't feel like an other Woman; she isn't weedling or devious, she doesn't wear negligees or paint her toe nails. William may think she's exotic but she isn't really; she's straightforward, narrow and unadomed, a scientist; not of web-spinner, expert at the entrapment of husbands.
Life before Man by Margaret Atwood
According to the passage, the 'Other Woman' by definition is