Abstract

Since Nigeria's political independence in 1960, ensuring administrations have virtually towed the path of devastation. How have Tanure Ojaide and Helon Habila been able to portray the aesthetics of resistance in The Activist and Waiting for an Angel respectively using the New Historicism theory. The authors through various characters and events have been able to portray the aesthetics of resistance. It is therefore safe to say that there is aesthetics in resistance.

Table of Content

Title Page
Certification
Dedication
Acknowledgment
Abstract
Table of Contents

CHAPTER ONE
1.0 General Introduction
1.1 Definition of Terms
1.2 Purpose of Study
1.3 Justification
1.4 Scope of the Study
1.5 Methodology
References

CHAPTER TWO
2.0 Literature Review
2.1 The Historical Context
2.2 The Authorâ€™s Background
2.3 The Critic/Reader
References

CHAPTER THREE
3.0 Introduction
3.1 The Nigerian-Niger Delta Situation
3.2 Aesthetics of Resistance
Reference

CHAPTER FOUR
4.1 Introduction
4.2 Aesthetics of Resistance
Reference

CHAPTER FIVE
5.0 Summary, Findings and Conclusion
Bibliography

Introduction

The introduction of this research is only available in the paid version.

Aesthetics Of Resistance In Tanure Ojaide's The Activist And Helon Habila's Waiting For An Angel

Key Features

Table of Content

Introduction